KrautRockSampler. PDF Ú Paperback

KrautRockSampler. this is a wonderful, if regrettably brief, overview of one of the most fertile and fascinating periods of music i read it accompanying a deep immersion in the waters of krautrock and it has been a great experience i would recommend to anyone sometimes cope's attempts to describe things are a tad clumsy and either fall short or oversell the music itself, but i found his blazing enthusiasm most endearing yes, it could be argued that his campaign to smear most of british progressive rock while praising the krautrock scene is a bit unnecessary, but if you really feel so butthurt about it you probably take yourself a tad too seriously. I love this book for two reasons First, when it came out it introduced me to the wunderbare welt of Krautrock (if lucky you could then still find many of the original albums that Cope writes about.) Second, it is absolutely hilarious Cope's writing is funny, personal, informative, full of enthusiasm and most importantly it is independent We need these kinds of independent publications that cover subjects that no established publisher would touch with a long stick We also need great personalities like Mr Cope to write such publications Whatcan you ask from a music book? Cope's Krautrocksampler is an absolute classic It was one of the first books to break through and appear on record store shelves so that a kid from anywhere USA could learn about the great German musical experimenters in their prime period of creativity of the late '60s and early '70s, when Krautrock really was getting defined as a genre unto itself While I would credit the Freeman Brothers and their Audion Magazine / Ultima Thule record shop as predating Cope with writing, reviewing, and making many of these rarities available, you must give Julian the props of being the first celebrity to enthuse about this music to a larger audience, thereby opening the floodgates for reissues that continue to this day Julian's writing style is fun and sucks you into each chapter, making you really want to run out and find whichever release he's going on about It's a mix a fan appreciation writing, and a great knowledge of musical forms in general that really catures the spirit of these original pioneers of the German Kosmiche scenes While Julian gives you his favorites, and he's pretty dead on correct with the classics I would suggest also obtaining the Freeman Brother's Crack in the Cosmic Egg so that you will be able to futher explore the bands and releases that Cope does not mention, dislikes or ignores and there are many many wonderful bands and albums beyond Krautrocksampler At the time of this writing, both of these books are scarily high priced in the collector market fetching obscene numbers Thankfully the Freeman's have repressed their book as a beautiful cdrom withcontent including audio and visual additions. This book is definitely written as a fanboy love letter I had heard much about it and was hoping there'd bein the way of historical information There's some, but each band is only limited to a chapter each and a few pages at that Some, like Popul Vuh and Guru Guru (and Kraftwerk!), only come up briefly Also, an epilogue would be nice as Cope only sees the era ending as he thinks each suggestive band gets exhausted (for Can, this means before Soon Over Babaluma! Blasphemy!) Overall, it's an entertaining take on the subject matter, but by no means definitive. It is pretty fair to say that no one expected Julian Cope to prove to be so wellsuited to the task of historian and critic This short, impassioned book on Krautrock which essentially put the genre back on the map and gave it a critical shape by separating it from the lumpen morass of (mostly derivative) prog that it had to often share shelves and turntables with came out in 1995 and was an immediate revelation It has since gone out of print, although it is suggested that Cope will republish it again shortly, possibly with an ebook version Or maybe, we suggest hopefully, with an update or maybe another 50 of his wizardly album reviews.Why is it a revelation? Because Cope strikes the perfect balance between scholarship and context on the one hand, and sheer infectious joy on the other This means that just as the head and heart are both stimulated in the best Krautrock, so are we taken on a journey through these years of fervent, febrile, fertile output with the ultimate guide He teaches you and turns you on, berates you and inspires you You trust his taste because he lays it out open For him, once the restless searching spirit 'evolves' into chops and technique as you could say occurred with Tangerine Dream as they turned the corner of sobriety towards Phaedra and Rubycon then Cope zones out and moves on to something else Can's lengthy playout through the 1970s, shorn of their bizarre and unmistakeable vocalists and seeking muso grooves, gets a similar cold shoulder, and while he makes positive noises about Klaus Schulze's groundbreaking ambient electronic career, he leaves all that outside the scope of this book and treats himor less as a pretty face.Actually I am writing this short review after doing suitable penance for never having sat down and listened properly to Amon Düül II Oh, I had heard their name and could probably name a couple of choice tracks, but that was all music scholar bluff I hadn't really listened to Phallus Dei or Yeti or Dance of the Lemmings Or any of their other albums And I had listened to Popol Vuh's stunning soundtrack albums for Werner Herzog, but not the amazing EastWest dance of Hoasianna Mantra And Cluster with Eno, and a couple of tracks on the Roedelius compilation, but never their own classic albums Now, led by Cope's enthusiasm first formed in his adolescence and carried on down the years and his wonderful musician's ear and capacity to even dare to tackle the gargantuan task of trying to explain in words the subtlety and enormity and madness and timelessness and dexterity and sheer questing versatility of the music that was being made by these ornery glittereyed Germans in the late 1960s and early 1970s, I can do just that And the truly bizarre part is that much of this music is almost 50 years old, but it literally could have been made yesterday. I read this (possibly illegally) as a poorly photocopied PDF downloaded from the internet, as there was no way I was shelling out to buy a physical copy A thoroughly entertaining, subjective, selfindulgent, opinionated, but highly enthusiastic and spirited guide to a movement in German experimental rock of the 1970s Julian Cope's writing is refreshingly devoid of critical jargon and prone to flights of fancy and hyperbole he makes every band he writes about sound like the craziest thing Very useful list of records at the back too You should try to find a way to read this if you're at all interested in Krautrock, as I would describe it as essential His writing is as wild and free as the music itself. Long out of print, I finally managed to find a PDF (and some GHB and BC2 to go along) and I jumped in the magical top dropped acid dropped deuce1/4 and left with the cosmic couriers to find God knows what.Finding a good treasure trove of things in Cope's newer JAPROCKSAMPLER, I was hoping my world would be opened up here, having never gotten the $ to be able to read this first It's kind of a cosmic sneeze, really You know what's coming and its exciting and a total rush, man, but there is nothing really new People have complained that Cope has covered only thepopular Krautrockers (and its true) but he does it well enough And his longrunning Urjokes and jabs start here and carry over to the net, so thats kind of fun to pick apart, I guess.This sampler being much smaller than the other I quickly got the top 50 in the back only to find that they're in alphabetical order, not order of hotness Kinda of a disappointment as it comes of as just an index of records you know he drools over instead of a real LIST of things with some thought put to the order Internet digging and most of all TIME has shown this book its age: he gleefully dotes on things that'reRAWK than others, and shits on some bonafide CLASSICS, all because he thinks they're 'new age' or something because it isn't the caveman rock of early TD and Guru Guru.One huge plus this has over JRS: Cope was THERE, man Krautrock being the British phenomenon it was, Julian got to see Amon Duul and Can play and his small explanations of the shows and their timing/success are the best thing 'bout the book If you can, 'pic this up fer'a tennah' as J would say Otherwise, use your cosmic browser and found your own head heritage *edit* I should mention the copy I read had AD2's YETIs review (and the accompanying page) completely missing! So if that review is godlike and I don't know it, disregard everything I wrote. There's not many books on the subject of Krautrock, or Kosmische Musik, but Cope's was one of the first to bring the music back into something approaching the mainstream Cope's approach is that of the fanboy, a headlong rush to preach the Krautrock gospel and convert the uninitiated Sadly that means objectivity goes out of the window.The early part of the book where Cope sets the scene and introduces the main players is good and his pieces on bands such as Neu! and Tangerinee Dream are effective, but later on he gets all metaphysical and trippy and starts trumpeting the virtues of some of theobscure offshoots of Krautrock That's where he loses me.The last part of the book is dedicated to Cope's highly selective and personal Top 50 Krautrock records, for which he provides reviews Again his love of the music comes through in the passion of his writing, but again he has no objectivity and his highly personal cutoff point for some bands is questionable.Cope has said that he has no plans to revise or update this book, which is long out of print (you can, as I did, locate a PDF of it with a simple google search), and he has acknowledged that there are factual and interpretive errors But for all that it is an enjoyable and informative read, just take it all with a pinch of salt. Julian Cope makes every band he writes about sound like the best band in the world, even the shitty ones Krautrocksampler guide d initiation a la kosmische muGuide personnel de la grande kosmische Muzikale, Krautrocksampler guide d initiation a la kosmische mu, Julian Cope, Eclat Eds De L Des milliers de livres avec la livraison chez vous enjour ou en magasin avec % de rduction Krautrocksampler Petit guide d initiation la grandeLe krautrock est l antithse du rock progressif Si le rock pompier fait se rejoindre Sgt Peppers et Stravinsky, le krautrock plonge ses racines dans le Velvet et John Cage Une musique unique qui a bourgeonn de, et qui mritait bien le talent du barde fou Julian Cope Krautrocksampler TopAlbums compiled by Explore the Krautrocksampler TopAlbums compiled by Julian Cope list by Internaut on Discogs Create your own list of music and share it with the world Krautrock Archives Faust l interview Alors que Faust sort un nouvel album sur Bureau B lenovembre prochain, intitul j US t et sur lequel il est possible encore une fois de s tonner avec par exemple l utilisation d une machine coudre comme mtronome, et tandis qu ils seront en concert le vendredinovembre dans le cadre du festival boulonnais BBmix qui fte ses dix ans programmation , nous avonsLivres sur Google Play Profitez de millions d applications Android rcentes, de jeux, de titres musicaux, de films, de sries, de livres, de magazines, et plus encore tout moment, o que vous soyez, sur tous vos appareils Krautrocksampler Julian Cope Free Download, Krautrocksampler by Julian Cope Addeddate Identifier Krautrocksampler Identifier ark arktzqpr Ocr ABBYY FineReaderExtended OCR PpiScanner Internet Archive HTML UploaderYearplus circle Add Review comment Reviews There are no reviews yet Be the first one to write a review , ViewsFavorites Krautrocksampler, Julian Cope Headheritage Kargo lKrautrocksampler, Julian Cope HeadheritageTraduit en franais par Olivier Berthe Kargo l clatpuisDisponible gratuitement en ligne ici Partager Cliquez pour partager sur Twitter ouvre dans une nouvelle fentre Cliquez pour partager sur Facebook ouvre dans une nouvelle fentre WordPress J aime chargement Articles similaires Auteur tienne Greib PubliKrautrocksampler WikipediaKrautrock WikipdiaJulian Cope Wikipdia Il a depuis ralis de nombreux albums solo et est un membre fondateur des groupes Queen Elizabeth et Brain Donor


About the Author: Julian Cope

Julian Cope (born Julian David Cope, on 21 October 1957) is a British rock musician, author, antiquary, musicologist, poet and cultural commentator Originally coming to prominence in 1978 as the singer and songwriter in Liverpool post punk band The Teardrop Explodes, he has followed a solo career since 1983 and initiated musical side projects such as Queen Elizabeth, Brain Donor and Black Sheep.


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